SEBASTIÃO SALGADO. EXODUS

Sebastião Salgado, Lélia Wanick Salgado

SEBASTIÃO SALGADO. EXODUS
Publisher: TASCHEN
Product Code: 9783836561303
Availability: In Stock
Price: 50.00€
SEBASTIÃO SALGADO. EXODUS SEBASTIÃO SALGADO. EXODUS SEBASTIÃO SALGADO. EXODUS SEBASTIÃO SALGADO. EXODUS SEBASTIÃO SALGADO. EXODUS SEBASTIÃO SALGADO. EXODUS SEBASTIÃO SALGADO. EXODUS

Humanity on the move
Sebastião Salgado’s searing reportage of exiles, migrants, and refugees

It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil.

Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His reportage includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first “boat people” of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean sea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed.

With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother’s breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones.

At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social and political shiftsof global information, urbanization, environmental damage, and vast discrepancies in wealth, which all contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline brought migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but in Salgado’s own words, to temper our political, economic, and environmental behaviors in a “new regimen of coexistence.”

The photographer:
Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma and Magnum Photos. In 1994 he and his wife Lélia created Amazonas images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986)SahelL'Homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000), Africa (2007), Exodus, Genesis (2013), Genesis (2013, Collector’s Editions), Kuwait (2016), Kuwait (Collector’s Editions).
See also Print set Sebastião Salgado Genesis (2014), Sebastião Salgado Postcard Set (2015), Sebastião Salgado. Memo game (2015).

The editor:
Lélia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s she began conceiving and designing the majority of Sebastião Salgado’s photography books and all the exhibitions of his work, including Genesis. Lélia Wanick Salgado has been the director of Amazonas Images since 1994.

 

EACH AND EVERY TASCHEN BOOK PLANTS A SEED!
TASCHEN is a carbon neutral publisher. Each year, they offset their annual carbon emissions with carbon credits at the Instituto Terra, a reforestation program in Minas Gerais, Brazil, founded by Lélia and Sebastião Salgado.
If you would like to support the Instituto Terra or make a donation, please visit www.institutoterra.org/donations for further information.

 

Exhibition: 
Genesi. Sebastião Salgado

March 22 – September 16, 2018
Turin, Piazza della Repubblica 4 - Venaria Reale (TO).

Book Info
Subject Photography
Author Sebastião Salgado, Lélia Wanick Salgado
Series FO
Cover Hardcover with booklet
Dimensions cm 24,8 x 33,0
Pages 432
Language/s English
Weight 3.7 kg
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