Temporary Projects, Eternal Impressions
Part biography, part critical analysis, part catalogue, this updated edition brings back TASCHEN’s best-selling Collector’s Edition. It spans Christo and Jeanne-Claude’s entire work, from early drawings and family photos to plans for future projects.
Hundreds of photographs and drawings trace the couple’s projects from the past 10 years, including The Floating Piers and The London Mastaba, as well as works in progress such as The Mastaba of Abu Dhabi and L’Arc de Triomphe Wrapped, Paris.
In addition to comprehensive photographic documentation by Wolfgang Volz and an updated introduction by Paul Goldberger, the book features a conversation between the artists and the author. It was the last conversation about their work that Jeanne-Claude had before her passing in 2009. The result is a celebration of the work of two artists whose imagination has affected the landscape of every continent.
“Each project is like a slice of our lives, part of something that I will never forget.”
About the series
TASCHEN turns 40 this year! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. In 2020, we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program—now more compact, friendly in price, and still realized with the same commitment to impeccable production.
All the books in the 40 series have:
• Thick cardboard hardcover WITHOUT jacket
• Highly resistant glossy lamination
• Square spine
• Prolongued printed back end that surrounds the book block and folds in behind the cover, protecting the pages (you can fold it behind the last page when you look at or in the book or use it as a bookmark)
• NO shrink-wrap
Christo and Jeanne-Claude began their collaboration in 1961, and have lived in New York City since 1964. Jeanne-Claude died in 2009. Their large-scale projects include Wrapped Coast, Australia, 1968–69; Valley Curtain, Rifle, Colorado, 1970–72; Running Fence, Sonoma and Marin Counties, California, 1972–76; Surrounded Islands, Biscayne Bay, Florida, 1980–83; The Pont Neuf Wrapped, Paris, 1975–85; The Umbrellas, Japan–USA, 1984–91; Wrapped Reichstag, Berlin, 1971–95; Wrapped Trees, Riehen, Switzerland, 1997–98; The Gates, Central Park, New York City, 1979–2005; and The Floating Piers, Lake Iseo, Italy, 2014–16.
Wolfgang Volz has worked with Christo and Jeanne-Claude as the exclusive photographer of their works since 1971. He was also project director (with Roland Specker) for Wrapped Reichstag and (with Josy Kraft) for Wrapped Trees, and was in charge of The Wall – 13,000 Oil Barrels, Gasometer Oberhausen, Germany, 1998-99 and Big Air Package, Gasometer Oberhausen, Germany, 2010-13. His close collaboration has resulted in many books and more than 300 exhibitions in museums and galleries around the world.
Paul Goldberger is the Pulitzer Prize-winning architecture critic of The New Yorker, where, since 1997, he has written the "Sky Line" column, and is the author of several books, including Why Architecture Matters (2009) and Christo and Jeanne-Claude (2010, for TASCHEN). He lectures widely on architecture, design, historic preservation and cities, and has taught at both Yale School of Architecture and the Graduate School of Journalism at the University of California, Berkeley.
|Author||Christo e Jeanne-Claude|
|Dimensions||cm 15,6 x 21,7|
|Language/s||English, French, German|